Oliver Horsman The London Institute of Art and Design For sales, commissions and to send comments to the artist click here
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Bubble
- £120
This piece is an 18cm cube of glass with a black enamelled plinth and brackets with self illuminating light. It was inspired by air bubbles travelling through water. Acrylic was airbrushed onto the panes, creating a 3D image. The sculpture and shelf stands 36 cm tall and protrudes 18.5cm from the wall. This piece has two balls, one inside the other and - depending on your angle - either the outer ball or inner ball is visible. Opti - £210 This sculpture is made from a new type of glass called opt white. The glass has a low iron content which means it is completely clear. This piece has a black enamel ball with an acrylic white shadow. The glass is 18cm cubed. When on its holding shelf it stands 36 cm tall and comes 18.5cm from the wall. Droplet - £150 This is based around a photo of a droplet hanging from a leaf, waiting to drop, defying gravity. To play on this, the artist flipped it upside-down to make it seem like it was rising rather than falling. This piece has been painted in two layers, first blue and then white, which gives it a shimmering quality and - depending on your vantage point - it changes colour. Reform - £1050 This sculpture is housed in a wall so that it can be viewed from two different rooms. Including the 6'' black enamelled frame, this piece is 90cm tall, 130cm wide and 20cm deep. Housed inside the frame is a mixture of ultraviolet and fluorescent strip lights to emphasise form and increase contrast between colours and depth. This piece was inspired by the randomness of nature. It features six colours and a number of randomly placed balls, all individually airbrushed in a mixture of acrylic and enamel paints, some of which are ultraviolet reactive.
Structure has always excited me and the perfection of form and lines is something that I see above the surface of everyday life. Although these precise structures are obvious in the man made world, the confusion of nature reveals an underlying structure which is not at first apparent, and which produces the basis for the project. This relationship between nature and industry comes together in this piece. Coming from the Forest of Dean I have been surrounded by these patterns in nature and am interested in taking these natural concepts to an urban environment. Although ostensibly the exhibit appears cold and unemotional, consisting of a sterile room with precise harsh images, the rippling medium and warm lighting gives the sculptures life and movement.
The London Institute of Art and Design
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