This
is a modern world wrapped up in millions of structures of
absolutely different social relationships-human patterns
with their vivid or blurry colours, dynamic or static forms,
graceful or abrupt lines where everyone is under the influence
of similar adopted rules and habits. Everything in that
world can be put into doubt because everything is so undefined.
I know it is not my surrounding but this is part of my life
travelling.
I think I have been trapped in a variety of contemporary
and classic techniques. Often I spend hours reviewing and
analysing many of them together.
Can I combine any art technique which together are even
difficult to imagine?
Yes, I can, especially when this work gives me some unknown
inspiration.
My creativity is rooted in a harmonisation of two or more
absolutely different characters in composition in order
to explore the boundaries imposed on us by the variety in
modern world. It is a clearly readable visual reflection
of thoughts and psychological controversy of inner world
in a decorative way with a symbolic flavour within a realistically
depicted portrait.
Great temptation is to create the question on canvas of
a smooth connection of opposite things in reality. The experimental
combination of realistic and decorative worlds should be
in a romantic light. My passion is the expression of the
contrasting behaviour of human forms-human patterns. Red
and orange, my favourite colours, create a heavy encouragement
for a viewer in the bright patterns, diluted from their
psychedelic origin by the intrusion of innate feminine sexuality
and decorum.
I am inspired by the style and palette of erotic imagery
of art “Nouveau”-Gustav Climt, Alphonse Mucha,
C. R. Mackintosh and Henry van de Velde. Their decorative
lines and elegant tender manner have lured my soul since
studding in High school. I also like psychedelic poster
art expression in 60-70th in USA.
|
